No Place Called Home

Community at the Millennium

[Excerpt From Chapter Eight]

“Another question: what is a community at the end of the 20th century? A focus group, a concentration camp, a chat room on the Internet, an address book, a dance club, all those afflicted with a particular incurable disease, a gender, an age bracket, a waiting room, owners of silver BMW’s, organized crime, everyone who swears by a particular brand of painkiller and a two-block stretch of Manhattan on any weekday at lunch hour.”
–Herbert Muschamp, from “The Miracle in Bilbao,” New York Times Magazine, September 7, 1997.

Coming Home 

It’s a Saturday night and my house is filling with people. Some carry musical instruments. Some have sheets of poetry or fiction by their sides. Some carry nothing, but are prepared to stand up before a crowd of people and dance, perform theater, or tell a story.

We call it the Coffeehouse. We’ve been doing it now for seven years. The first Saturday of every month, friends and friends of friends come to our house to entertain and be entertained. Usually about fifty people show up. It’s a great time.

This coffeehouse is the highlight of the month, both for me and many of the people who attend. It’s not just the music, poetry, and other acts that bring people back, although these are good. It’s the chance to meet, connect, and talk with other people during the breaks. Through it, my wife and I have met many of our now good friends, and other people have made similar friendships and bonds. In a city where people come and go, it provides us a mechanism to make new friends as older ones leave town.

Why do I mention it? Because our coffeehouse is a replacement for what does not exist in the outer world. And the fact that it does not exist says a lot about our society at this stage in its history. I would prefer that a corner tavern or bar be down the street, where I could magically meet my friends and make new ones. I would prefer to be held up in a naturally emerging web of friends and family, growing out of the physical place where I live and the work that goes on there.

Our situation is ironic, because if anyone should have community “naturally,” it’s my wife and I. We live in Norfolk, Virginia, a port city on the Elizabeth River, the Chesapeake Bay, and the Atlantic Ocean. Huge carriers make their home here, as do huge cargo ships that freight millions of tons of coal all over the world.

It’s been the home of my family on my father’s side for five generations. My great-grandfather came here before the Civil War. He was the first publisher of the newspaper where I started my career in journalism, The Virginian-Pilot. My father grew up one block from where I write this. My wife is a native of the area as well. My newest niece lives down the street.

Looking at my background, one might think that I live a life rich in contacts with the past and the world that molded me, a place where an intricate and perhaps suffocating web of family and friends who have centuries of combined experience support, argue with, and love each other. Which is not the case. I have no close friends from my childhood or high school years that still live in this town, or even the state. Most of my siblings have scattered themselves around the country, as is the wont of professional people these days. Various relatives–second cousins once removed and so forth–do live near me. I know none of them well. As one commentator remarked about Europeans in contrast to Americans, “They still have cousins.” Americans do not.

Various forces operating in the country and world today have pulled apart my “natural” community and scattered it to the winds. My own more cosmopolitan bent figures into this. I lived in Europe for a few years, attended college and graduate school in Pittsburgh and New York City. I am not able, nor do I desire, to sink back into the old-boy culture that does still exist here to a degree. I have a community around me, but it is one that I created or sought out, more than one I was born into. My community is in my coffeehouse, in the arts organizations I belong to, and in the civic work I do.

Community–the network of formal and informal relationships that binds people together–is a thin, tepid brew in this country. It has declined to the point where improving it, saving it, nurturing it have become slogans of a variety of movements in different, seemingly unrelated fields. In urban planning, New Urbanism promises to revive community through building subdivisions more cohesively. In political theory, Amiti Etzioni hopes to reduce crime and improve social health through his philosophy of Communitarianism. In journalism, the philosophy of Public Journalism, sometimes labeled Community Journalism, promises to rebuild community and a newspaper’s circulation base by having the press foster public dialogue and political participation. Our politics, our places, our press–all of these things run across power lines that jolt us with the message that something is missing in too many of our lives, some sense of cohesion and togetherness.

This desire many people have for richer, more connected lives is a valid one. I believe that a society grows out of its social, religious, and political compacts, on which ultimately even market relationships depend. But like the construction of coherent physical places, the construction of coherent communities is not something to be attempted directly. Rather, one has to understand what produces both places and communities, and what weakens them, and address those forces.

Most of what we call community in the past has been produced as a byproduct of other things: making a living, shopping for food, keeping ourselves and our families well, protecting them and our society from physical harm, educating them. We shopped for groceries, served in the military, and went to a doctor and along the way got to know the butcher, the fellow soldier, and the local doctor. All of these actions have become less communal, and so our society has become less community-minded. We buy our food at the warehouse-style supermarket, do not serve in the military unless we volunteer, and go to the impersonal HMO to get our cholesterol checked. If we want to revive community, then we should look at the trade-offs involved in making some of our decisions more communal again.

Place has something to do with all this as well. Walking to a neighborhood cafe for breakfast is a more communal thing than using the drive-through at a McDonald’s for an Egg McMuffin, although relationships can occur at either place. Driving on the freeway is less likely to generate relationships than riding a streetcar. Living in an older neighborhood fashioned around the foot is more communal than living in a contemporary one fashioned around the car. But the physical makeup of our places is just one factor in this trend.

John Perry Barlow, computer sage and former Grateful Dead lyricist, commented once that community is largely generated by shared adversity. This gets at the notion, true I believe, that our social ties, while beneficial, are not necessarily produced by situations we would choose. Although many of us miss community, we don’t miss poverty, disease, and war, things that produce community with some regularity. The problem for contemporary Americans is that enhancing social cohesion may mean giving up some things we really like, like personal mobility, low taxes, and a footloose economic structure. We have not figured out yet that creating wealth is not the same as creating community.

I speak without any sentimentality or nostalgia for the past. I believe, however, that the generally fragmented lives so many of us lead break up marriages, disturb childhoods, isolate people when they most need help, and make life not as much fun. We live, to speak frankly, in one of the loneliest societies on earth. If we are to change that, then we should look more closely at the various relationships in our society–political, social, economic, and others–and attempt to construct them in more communal ways. Deciding how to structure these relationships comes back to what I increasingly believe is our most fundamental relationship–politics.

Jackson Heights

An Anachronism Finds Its Way

[Excerpt From Chapter Five]

The Star restaurant it was called. It sold “Chops, Steaks and Seafood.” It was the kind of small Greek coffee shop that used to abound in Manhattan, but has been dwindling even there. Here, it stood out as a leftover from a bygone world.

The shop sat on Thirty-seventh Avenue, the principal shopping street of Jackson Heights. The street was a swirl of color and activity. Colombians on their way to Ecuadorean restaurants to eat yucca or ropa vieja. Koreans and other Asians came out of small stores selling herbs and spices. Indian women walked by wearing scarfs and other components of traditional dress. The street was a river of life, bustling with people and commerce.

In this flowing river, the Star restaurant sat like an island or an alley, part of this world but not of it. It somehow signaled that it was of another era, and might not be long for the present one.

The restaurant was filled, appropriately enough, with elderly Jewish women. They seemed like refugees from a storm, huddled in this sheltered place while the passions of color, language, and dress swirled and stormed outside on the street. They sat in black-vinyl booths and at square-topped tables, drinking coffee and discussing events. They eagerly surrounded me when I asked them about the neighborhood, eager to have a visitor, and a relatively young man at that. Most had lived in this neighborhood for their entire adult life, some fifty years. The stores they walked to, the candy shops, the movie theaters, the five-and-dimes, were largely gone now. They were widows, their husbands passing before them. They did not like being minorities now in ethnicity, custom, and style in a neighborhood they helped build.

“These people are so dirty, they are filthy,” said a woman with big glasses who had just finished showing photos of her trip to Italy. “They throw their trash in the street. There is crime.”

“They change the child’s diapers in the car, and throw it out on the street, just like they do in India,” said another woman.

“And let the child diddle in the curb,” said still another.

“I even saw a man stand up against a wall and do it,” said the first woman.

This account of the immigrants’ bathroom habits seemed unfair, but probably true. Having lived in Spain for two years, I’m aware that Americans’ bathroom habits are unusually fastidious compared to most. It was common in Spain for a mother to help a child urinate into the street. Men would routinely pee against a wall on a downtown street. I became accustomed to doing so myself.

One woman, less angry than the others, said she still liked it here, but that things had changed.

“There used to be so much to do here. There were the movie theaters. There was a candy store.”

“There was the bingo hall down the street,” said another woman.

“Even the Woolworth’s is closing,” said one woman. The national chain had just closed all Woolworth’s in the country, but to these women it was just one more familiar friend departing.

The women’s complaints were ironic, because while they noticed how much things had changed, I noticed how much things had stayed the same in Jackson Heights. Even if the color, religions, and languages of the people on the street changed, Jackson Heights was still a neighborhood that took working-class immigrants not long off the boat and lifted them into the middle class by providing them the opportunity for hard work. What makes Jackson Heights a rarity is that it is an urban neighborhood, based around the subway and elevated train line. Unlike most urban neighborhoods, Jackson Heights had not become either a slum or a giant fern bar.

Working in the City 

As the suburbs have become ubiquitous, the urban neighborhood like Jackson Heights has become a specialized place, for the artist, the junkie, the rich, the homeless, the gay, the intellectually curious. What it isn’t, generally speaking, is home to the police officer with two kids, the assistant hotel manager, the school teacher, and, of course, the factory worker. In other words, the working and middle classes. The classic working-class urban neighborhood, where a guy with a lunch pail walked to work or to a streetcar, subway, or bus, has become a rarity as the systems that produced it become a rarity.

The same goes for the classic ethnic, immigrant neighborhood. For many immigrants today, the town-house complex near the freeway ramp–in other words, the suburbs–has become the destination after getting off the boat. Only in a few cities, or parts of cities, are the walkable street, the walk-up apartment, still the first stop. The inner-city areas are either too expensive or too much of a slum.

But one urban area that is still home to the emerging middle class and the immigrant is New York City. In most cities, urban neighborhoods have become vestigial organs, either kept alive as luxury items for the well off, or abandoned to decay. In New York, urban neighborhoods still create the middle class, taking poor or less well-off people and providing them the environment by which they can make their way to a more established position economically.

One of those neighborhoods in the city is Jackson Heights in Queens. It’s been a ladder for an emerging middle class for most of its existence, and it still is. Latin Americans, Koreans, and Indians have replaced or merged with Italians, Jews, Germans, and Greeks. These changes have often been wrenching sociologically. But the bottom line is that Jackson Heights is still where new immigrants come, get their first jobs, and move up.

Why does it still exist? Why has it become neither a slum nor a gentrified boutique neighborhood? What keeps its inhabitants living, with jobs, in a neighborhood where the car is still an uncommon element? In answering these questions, we see several things:

One, is the uniqueness of New York City, which, after a destructive flirtation with the highway midcentury, has in the last generation become more and more dependent on mass transit. This makes it unique among America’s cities. It has not been easy. It has managed to revive and enhance and build on a seventeenth-, eighteenth-, and nineteenth-century street pattern. Grids of streets where factory workers walked to jobs are now inhabited by stockbrokers or fashion executives who use limousine service. Neighborhoods like Jackson Heights still revolve around the central star of Manhattan, whose economy warms all the outer boroughs and gives life to their streets. Two, we see how transportation determines form and thus lifestyle. People live differently in Jackson Heights, and most of New York, because they get around differently. Three, we see the uniqueness of the street-based life that non-car-centered transportation produces. There is a closeness, an intimacy to life, in Jackson Heights that must at times be suffocating but which I often yearn for. We gave up something when most of our cities opted to build highways and Interstates, rather than train lines or subways.

Conclusion

Getting There: Building Healthy Cities

[Excerpt From Chapter Nine]

Of all the public decisions that go into place-making, the most important is what type of transportation systems to use. They will determine the character of the city and much of its economy. Do we pave roads or lay down tracks? Do we fund buses or subsidize cars? Do we lay down bike paths or more highway lanes? Do we build airports or high-speed train lines?

What is transportation for? That’s the essential question Lewis Mumford asked forty years ago.

In the first place, it’s for building the economy of a city. A city’s external links to the outside world, its freeways, train lines, airports, ports, and others, will determine the potential of its industry and people. The big links a city has to the outside world determine its economic potential, something most people do not grasp. Thus, people should think hard about, and usually be ready to fund, the new airport, the new train lines, the new port, and even the new Interstate if it actually travels somewhere new, though this is not likely these days.

As these external links are established, attention can be paid to the internal transportation network. We should recognize that the internal transportation serves a different purpose than the external transportation systems of a city. The layout of a region’s internal transportation will determine how people get to work, how they shop, how they recreate, how they live. The standard choice today of lacing a metropolitan area with big freeways for purely internal travel means we will have a sprawling, formless environment. Simply getting rid of the freeways–forget mass transit–would establish a more neighborhood-centered economy and dynamic. But we don’t have to forget mass transit. Laying out train lines, streetcar tracks, bus lanes, bike paths, and sidewalks–and forgoing freeways and big roads–will mean a more place-oriented form of living. Both the drawbacks and the benefits of such a style dwell in its more communal, group-oriented form of living. You will have the option of not using a car. But to get this option, you have to accept that using a car will be more difficult.

Transportation is not the only public decision. Policies on growth and development can help implement a transportation policy. Such policies are far less important than usually thought, however. The major transportation systems dictate the pattern and style of developments. Once those are established, ways will be found over and around zoning and land-use laws to build the type of development that fits with a big highway or train line.

But zoning and other land-use laws can be used to facilitate or support the type of development that goes along with a particular style of transportation. The best way to do this would be to move away from zoning and go back to actually designing cities. Governments would actually lay out street systems on paper, and then private or public developers could build them as needed. This would give a coherent structure to a metropolitan area. It would also mean better coordinating the relationship among states, metropolitan areas, and smaller localities.

Growth control laws and boundaries are a wonderful tool for shaping development. Conceptually they are great because they help the public and the planners focus on where they want growth to occur. But growth boundaries are misleading because they give rise to the perception that without them, houses and shopping centers would magically pop up like mushrooms after a good rain. They would not. In reality, development only occurs after the public has made a decision about where to lay out roads, train lines, sewers, and other public infrastructure. Growth boundaries are as much about inhibiting public development as private. They are lines that tell government, beyond this point, go no farther with your services. A better way to think about growth boundaries is that they are lines that demarcate to what point the public is going to extend its blessings, both in the form of transportation and in things like educating children, police services, and libraries.

But growth boundaries are not possible usually without addressing the tangled political structures of our cities. Which leads us to our third rule of thumb.

A Tale Of Two Towns –

Kissimmee versus Celebration and the New Urbanism

[Excerpt From Chapter One]

“When you’re building your own creation,
Nothing’s better than real than a real imitation.”
-Lyrics from the song “Frankenstein,” by Aimee Mann

On the edge of two lakes about twenty miles south of Orlando are two small southern Florida towns. Both have old-fashioned main streets, with stores, restaurants, and a movie theater that open onto their sidewalks. Both have old-fashioned homes with front porches set on streets which lead into their downtowns. Both have parks that wrap around their lakes, where you can stroll and take in a sunrise or the night air. They both lie off a road called U.S. 192, and are just a few miles from each other.

But one of these towns is struggling. Its homes are not selling for much, and its storefronts have trouble staying full. The other town is a wealthy place, with homes that cost up to $1 million. Its downtown has rich boutiques and pricey restaurants.

The struggling town is called Kissimmee. It was founded in the mid-nineteenth century and grew as a shipping port and then a railroad and cattle town. But people stopped using the big lakes for shipping, and railroads became less important as well, and the town suffered.

The successful town is called Celebration. It is a new place, founded in 1994. It is, in reality, not a town, but a subdivision, built by the Disney corporation in conscious imitation of towns like Kissimmee. It sits next to a freeway and an exit ramp. Its homes are being bought by the Orlando upper classes, and its stores are being filled with tourists. It is an example of a much-heralded design philosophy called New Urbanism.

In learning why one town is struggling, and the other prospering, we can learn what people value, compared to what they say they value. We can also learn about what makes towns, and subdivisions, tick. We also learn about the concept and practice of community, which Celebration’s owners say they are reviving. By looking at Kissimmee, we can learn about Celebration, because Kissimmee is the thing Celebration is pretending to be–a small, Florida main-street-style town. What does it say when the imitation of something is worth more than the thing itself?

Comparing Kissimmee to Celebration shows where Disney has chosen to imitate the design of a small town, and where it has not. In some aspects, like front porches, Disney has chosen to exactly copy Kissimmee. In other aspects, like the way the towns govern themselves, it has chosen not to. What we find is that Celebration is a contemporary automobile suburb pretending to be a nineteenth-century town. And that pretense, like most pretenses, has a price.

By looking at Kissimmee and Celebration, we can learn about the general thrust of the design philosophy the latter represents, New Urbanism. It is probably the most heralded design movement of the last half-century. It has been embraced as a way out of the problems of sprawl. Celebration closely resembles other New Urban developments, both in the structure of its streets and the structure of its management, although it does differ in some respects. By looking at Celebration, and the thing it is imitating, Kissimmee, we start to see just where this New Urban path, as it has generally been configured, leads.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Mrs. Mac’s versus Max’s

We can glimpse the distinctive characters of the respective “main streets” of Kissimmee and Celebration by looking at two eatery proprietors offering simple fare there. Kissimmee has a small restaurant on Main Street, called “Mrs. Mac’s,” that serves sandwiches, hamburgers, meat loaf, and pie. Celebration has a restaurant on Market Street, called “Max’s Cafe,” that serves sandwiches, hamburgers, meat loaf, and pie. One is a magical realist version of the other.

Mrs. Mac’s on Main Street in Kissimmee has Formica-topped tables that you might find in your kitchen, a nondescript floor, and a wooden checkout counter with a noncomputerized cash register. The menu is simple. Two grilled pork chops with three vegetables for $5.95. Steak for $6.95. Homemade chili for $1.50. At lunch, I watched a nonpicturesque group of people eat there: a fat woman struggling to control her three children, a businessman here and there. The food was austere but good.

Max’s Cafe in Celebration is to cafes what Celebration is to small towns: a fantasy version of a small Southern cafe. Max’s has venetian blinds with thick louvers in the windows, booths inside with metallic piping, and a long soda fountain. It’s really quite beautiful, although it comes at a price.

A bowl of chili at Max’s costs $5.95, compared to $1.50 at Mrs. Mac’s. A piece of pie costs $4.95 compared to $1.50 at Mrs. Mac’s. A cheeseburger is $7.50 compared to $2.70 at Mrs. Mac’s. And we don’t even want to get into the entrees. But the differences between the two places go deeper than the prices and decor.

The proprietor of Mrs. Mac’s in Kissimmee opens or closes when she pleases. Like the other property owners or lessors in Kissimmee, she is not under the thumb of a common management. The property under Max’s, however, is owned by Disney. Every store in Celebration serves at Disney’s pleasure and was handpicked by it. Celebration’s management is that of a shopping mall, not a town. Disney can adjust “the mix” of the stores to optimize profits, or character, or anything it chooses.

So why do the respective characters, not to mention prices, of these two main streets differ so remarkably?

Kissimmee’s Main Street was once its center, because the town itself was once a business and transportation center. It was natural for people to shop as they went to work, or got off the train, or took a boat down the lake. When the region’s center shifted away from the town, its Main Street dried up.

Celebration’s Market Street is no more of a center than Kissimmee’s Main Street is now. But it does do a better job of fostering that illusion, for reasons I will come to.

The business district of Celebration is a curious animal. To some extent, Celebration has succeeded in overcoming what has been the Achilles heel of New Urbanism, which is establishing a commercial center within a residential subdivision. Retail is an area where fictions are exposed. Successful retail establishments have basic needs, like traffic or pedestrian counts, that cannot be dressed up or swept aside.

New Urbanists blame zoning for the segregated uses embodied in the mall, the subdivision, and the isolated schools no one can walk to. But this puts the cart before the horse. Zoning, like most regulation, usually only tidies up decisions the marketplace and the physical infrastructure dictated. Neighborhood business districts were created by the necessity to have services within walking distance of one’s home. Before the nineteenth century, this was because feet were basically the only transportation for most people. To buy something, you had to walk there.

The advent of the streetcar and other forms of mass transportation changed that dynamic only somewhat. In their effects, streetcars and subways were to cities what guns are to violence: they were force multipliers. They made it possible for even more people to live in one place, and congregated businesses around streetcar lines and subway stops. Once they got home from work, people still walked to shop, visit a friend, or have a drink. They had to.

The car and the highway changed that. While mass transit systems were magnets, gathering people and businesses around central points, cars and highways were antimagnets, spreading things out as much as possible. Businesses that relied on customers with cars needed parking lots, which ate away at the street-based retail around them. Eventually, stores moved to the suburbs, where their parking lots could be as big as their owners liked. Stores got bigger and bigger because people could drive to them. So far, the country has not seen an end to this centrifugal dynamic, where businesses get larger and larger, and more and more isolated and spread out.

New Urban communities attempt to change this by resurrecting the old form of retail which existed prior to the automobile, or which was left over in its first few decades. They try to do this, however, without actually resurrecting the old transportation systems that made the old business districts possible and necessary.

To survive, retail needs an astonishingly large potential customer base, much larger than might be intuitively thought. The huge, 200,000-square-foot warehouse-style stores, like a Wal-Mart Supercenter, can require a customer base of a half million households within a twenty-minute drive.3 But even a small restaurant or pharmacy requires high traffic volumes, whether it be by foot or car. Traffic volumes depend on transportation systems. Wal-Marts are located around key freeway interchanges because it allows them access to a regional population base. A small store can succeed in an urban neighborhood, but it requires a lot of people going by its front door, the same as such a store in a strip shopping center out on the highway. To produce those traffic volumes, an urban storefront seems to need at least 10,000 families within walking distance, which means a gross density of at least ten homes an acre. Ghent, the century-old neighborhood in Norfolk where I live, has a gross density of close to twenty homes to an acre. Some individual blocks in Ghent, with larger apartment buildings, have double and triple this density. And Ghent still has difficulty supporting a retail street. In general, the denser the distribution of stores, the denser the distribution of people. Manhattan can support retail in almost every block because it can pack 10,000 people into one block.

This point has always confused architects. Retail is not their strong point. Le Corbusier, the modernist giant of the twentieth century, imagined that shops could be put into his tall towers and persisted even after it was shown that their population was not nearly enough to support the shops.4 Duany conceives of small shops within his low-density, neotraditional subdivisions even though they also lack the necessary population and density.

Celebration, even at buildout, has a density of less than two per acre. The densest part of Celebration is the Garden District, which has about five homes to an acre. These are the special, lower-priced homes, starting at $150,000, and so are off to themselves so they won’t contaminate the more-common $400,000 and $1 million homes in the rest of the community. The Garden District homes, which are 1,350 to 2,200 square feet, are often only six feet apart.5 At five homes to an acre, the Garden District has a crammed-together feel to it. I wouldn’t want to live there. I bet turning into your driveway at night could be a real operation. Yet the density here is still nowhere near high enough to support a business district.

So how is Celebration able to support a downtown?

In a book about the making of the Macintosh computer, Insanely Great,6 Steven Levy described the “reality distortion field” that workers said Apple founder Steve Jobs was able to create around him by the sheer force of his personality. Disney is able to create a similar reality distortion field around Celebration. Through the force of its marketing muscle, it is able to reverse the normal laws of retailing that demand that retail be placed around principal transportation arteries, be they suburban highways or subway lines. In the suburbs, this means placing retail on a heavily traveled main artery and putting big parking lots there to scoop the traffic off of it.

With Celebration’s downtown, you have to drive a mile on a winding access road off U.S. 192. This should kill any attempt at retail. But Disney is able to surmount this with the sheer force of its name and presence. Tourists and sightseers are being pulled off U.S. 192 by the publicity generated by the press and advertising. Disney has heavily advertised Celebration on local television as a place to go shop. Celebration also has its own exit sign on Interstate 4. It’s already listed on the one-page, low-detail maps that you get from the rental car companies.

All this is enough to bring a steady stream of traffic into Celebration to both look at the homes and walk around this novel creature, a “downtown” inside a subdivision. The tourist traffic is a twofer, for the tourists both support the stores and look at the model homes. (This has obviously caused some tension in the neighborhood. Many homes have small signs on them that say they are occupied, not a model home.)

Celebration’s downtown will only succeed if it is able to be not a neighborhood business district, but a regional shopping center. That is working so far. Most of their customers, store owners tell me, are tourists and home lookers. But because of this, the stores in the downtown are nothing like one would choose for a neighborhood shopping street. There are a fancy dress store, and upscale souvenir shops. There are restaurants, a grocery store, and a movie theater, but all extremely upscale. The Goodings market, a luxury chain in Florida, is a gourmet store. The manager says it originally tried to have a full produce and meat section. But the stuff wouldn’t sell. So it scaled back the produce and eliminated the fresh meat. What you have left is a fancy store that is convenient if you forget the bottle of wine, but is not for everyday grocery shopping.

The point is that the residents of Celebration are still utterly dependent on U.S. 192, and always will be. They drive there to shop for groceries. They drive to the Wal-Mart to buy some lawn furniture. They drive to the mall to buy a computer, a lamp, or almost anything essential.

The Sex Of Cities

[Excerpt From The Introduction]

Children are supposed to turn to their parents at some point and ask innocently, “Daddy [or Mommy], where do babies come from?” Faced with such a basic question, parents then decide how directly to answer it.

I doubt any child has turned to anyone and asked plaintively, “Daddy, where do places come from?” Or, “Daddy, where do cities come from?” But it is these questions that I hope people are asking, even if not consciously, and which I seek to answer in this book.

There’s been a lot of talk over the last half-century about our cities, towns, suburbs, and neighborhoods. Through most of it has run a thick current of dissatisfaction with the galloping forces of suburbanization that have characterized the postwar era. People may love their three-bedroom home on the cul-de-sac, but they hate traffic jams, destroyed countryside, pollution, and automobile dependence. But before we start labeling places as good or bad, or attempting to design new ones, we should understand them better. This means asking basic questions. Which are: What forces produce our streets, neighborhoods, towns, cities, and regions, and the shape they take? And can we control them? To proceed without understanding is to almost guarantee ill-conceived and unwanted results.

Babies come from sex. Where do places come from? What is the sex of place? What union of people and nature produces our cities, our suburbs, and the environment out of which we make our homes? If some concede the need for more widespread sex education, might I raise the call for more universal place education?

I believe we are mixed up about our cities, our neighborhoods, and the places where we live. We don’t understand how they work. We don’t understand what produces them. We don’t understand what starts them or stops them. We don’t know how to change them, even if we wanted to. That is what I hope to do in this book. To explain to myself and to the reader why human settlement occurs, what shapes it, and how it can be shaped. In this book, I discuss the nature of place and how the nature of places has changed. And how we can shape the nature of our places. I do not argue to redesign our cities in a specific way. I have preferences and make them known. But my purpose is to make clear the choices available and the price tag of each. How do we change our world? What levers do we grasp if we want to change how it is constructed?

Much of the book explicitly or implicitly addresses the dualism that has developed between the so-called urban and suburban environments, between the land of the parking lot and the land of the street. These two types of places are seen as representing different ideals, and being governed by different systems. I attempt to find the Rosetta stone that will make understandable the workings of both city and suburb. Although they indeed have stark differences in their everyday life, I contend if we widen the lens, we find both urban and suburban places are governed and created by the same laws of place. If we understand those laws, we come a long way in understanding how places and cities are created and how they function.


TV Is Good. Very Good

“You never know when you’re living in a golden age,” remarked one of the subjects in the great documentary about the small influential cable channel in Los Angeles, “The Z Channel.” And I think that applies to television these days. After a decade or so now of thinking of television as being mostly a wasteland, save for the glory and high quality of HBO, I turn around and find there is great television everywhere. Here’s a sample:

Friday Night Lights, the network TV show about the small high school football team, has incredible heart and is just amazingly good. It feels like it should be on HBO. But it’s network TV. I’m watching the first season now on DVD.

Mad Men, the amc drama about ad executives in 1960, is amazingly done, a stylistic and analytical tour de force.

Chuck, the sci-fi farce about the CIA and such, is slapstick to be sure, but good slapstick. I’ve watched every episode.

And so on. And I haven’t even gone into all the good HBO stuff, which doesn’t count because I knew about that already.

The amazing thing to me about good TV is that it exists in very post-modern fashion. There seems to be no dominant universe. No one talks about TV anymore around the water cooler, as far as I can tell, because they are all watching different shows. If they are watching at all. Instead you hear about good TV here and there, from friends, relations or an odd news story. You have to inquire to watch good TV. My brother in law told me about this show called The Unit, produced by David Mamet. It wasn’t exactly to my liking, but it was certainly of high quaity. I had never heard of it before.

The other amazing TV is that all this great TV isn’t just on TV. It’s on DVD, and ITunes, Iphones, and your laptop. I watched Chuck on either my Iphone or my Mac laptop. Same with Mad Men. As for Friday Night Lights, I watched it all on DVD, a year after it came out. Get this. I don’t even have cable television. Television for me has become about Netflix and  downloads from Itunes at $1.99 a pop. It’s a good way to live. Don’t you think?

The Who, the Stones, The Dead, and Paglia

Camille Paglia likes the Who, my old favorite band, Salon magazine informs me. Salon www.salon.com/opinion/paglia/2007/10/10/britney/

Her observations brought to mind something that sprang into my head a few years ago, unbidden, about the basic existential stance by the three greatest rock bands of all time (excepting the Beatles of course.) Here it is:

 

The Who: What does it all mean?

The Rolling Stones: Who cares what it all means?

The Grateful Dead: We know what it all means.

 

Speaking of Rock and Roll, did you notice how Paul Krugman in The New York Times a few days ago riffed off a Talking Heads song, Same as it Ever Was, without even mentioning it overtly? Wild, when gray-bearded economists are alluding to the Talking Heads. We’ve come a long way, baby.

Trading Places

The City and the Suburb

[Excerpt From Chapter Four]

“The sloughed-off environment becomes a work of art in the new invisible environment.”
— Marshall McLuhan in a conversation with William Irwin Thompson; quoted in Thompson, Coming into Being

“The bloodthirsty national merchants and the Chamber of Commerce have pretty well gutted the place I remember and taken and hucked the town’s original character into the overall commercial park. The center of town, which when I was a kid hadn’t changed much in the century, and was pleasingly timeworn and functional, has now either been torn down or renovated for artificial preservation as an example of itself.”
— description of Lexington, Kentucky, from Richard Hell’s autobiographical novel, Go Now2

The King William neighborhood in San Antonio is an elegant place of huge turreted Victorians sitting on expansive lots. German immigrants built the homes in the mid–and late nineteenth century, after they had grown rich industrializing the city. In San Antonio then, you were as likely to hear German on the streets as English or Spanish. An old photograph from the 1880s shows a sign on a bridge warning people to walk their horses. The notice is given in three languages–English, German, and Spanish.

Like many beautiful old neighborhoods, King William now mixes entrenched urban homesteaders with tourism. In one count there were more than seventy bed and breakfasts in the neighborhood, and tour buses cruising the streets have been regulated. It’s ironic, because in the 1960s, the neighborhood was nearing abandonment, with the huge old homes falling into disrepair. But a wealthy believer bought and renovated a handful of homes, and suddenly a reverse exodus was on.

The tourism load is heavy in part because the neighborhood sits just a stone’s throw from downtown and the city’s famous River Walk, the winding subterranean path along water’s edge now lined with restaurants, stores, and souvenir stands. Aboveground are the city’s largely turn-of-the-century streets and buildings, which also include the ancient Alamo Mission and the modern shopping mall built a few years back. The mall gives armies of conventioneers another place to spend money.

I stayed in King William in 1997, in one of the ubiquitous bed and breakfasts. I was there on a magazine assignment, and I began my morning around the dining table with two couples who were there on vacation. They were from New Orleans, but the husbands knew San Antonio well because they traveled there frequently on business.

Knew the suburbs, that is. Like most businesspeople in the area, they conducted the bulk of their business out in the peripheries of the metropolitan area, in an environment of sprawling highways, office parks, and shopping centers that was casually called, no kidding, “Loopland.” The name came from the beltway that encircled the metropolitan area and spawned the subsequent sprawl. It was a maddening, unholy place. Glass buildings were shoved right up to the high-speed freeway, and the system of exit ramps seemed like something out of a Mad Max movie. But this was now the true Main Street of San Antonio, the place where the wealth of the metropolitan area was produced, and where the bulk of new businesses and industries were formed.

In fact, so strong was Loopland’s pull that the two businessmen, despite having traveled to the city for years, had never been downtown before or to any of the adjacent picturesque neighborhoods. The entire downtown, which includes the Alamo, the River Walk, and the business district, was a mystery to them. It was only now, on vacation, accompanied by their wives and children, that they were taking the chance to see “the city.”

The couples’ relationship with downtown is a good example of how contemporary center cities and suburbs have traded places. Older center cities–when successful–tend to be small, precious places with a limited function and market. The downtown of San Antonio was a make-believe world suitable for wives and children, who could pretend or believe they were seeing the real San Antonio.

The real San Antonio, of course, was out in Loopland. That’s where the wealth of the region was being produced, that is where new businesses were being formed.

The parts of San Antonio’s downtown that had been unable to convert themselves into tourist centers were dying. That included lovely but abandoned nineteenth-century office buildings and grand old theaters. Why? Because the business and essential living of the city were no longer being conducted in the center, and so the streets and buildings were no longer able to make a go at it by being utilitarian tools. They could only make it, to paraphrase Richard Hell, as artificially preserved examples of themselves.

The suburbs and city have reversed historic roles. The city now represents order, stability, community, and the human scale. The suburbs have become the example of constant change, gigantism, uncontrolled technological forces, and the rule of the marketplace. Whereas once the city symbolized a merciless, soulless world, and the suburbs calmness, family, and nature, the two worlds have almost completely traded places in what they represent.

Marshall McLuhan’s statement “The sloughed-off environment becomes a work of art in the new invisible environment” is an accurate description of why this has occurred. The urban grid of streets grouped around a port or a train station or a streetcar line has ceased to be the central marketplace of society. It has been replaced by a tangle of streets built around freeway exits. And so the older form has gone from something utilitarian, a tool, to something whose aesthetics and value can be seen more clearly and admired because we are now outside it. The urban street is, to quote Joel Garreau, author of Edge City, an antique. And like an antique, it is seen as valuable merely for being, not for what it does. In San Antonio, the downtown plays an important role in the economy by nurturing tourism and the convention trade. But this is a passive, more gentle function than serving as the central arena of industry or the marketplace.

An antique, whether it’s an object or a process, can be studied, perfected, and honed, similar to blues music, basket weaving, or the construction of handmade paper. But the form is not alive in the same way as suburbia. We can love cities because we are no longer in them. From society’s collective new home in the suburbs, we look back on them in wonder. I wonder when this will happen to the suburbs? When will we admire a cloverleaf, an off-ramp, and a gas station with an attached convenience store simply for their form and style?

I am not scoffing at the task of reviving the city. Ultimately it is not just the urban city but the metropolitan area that is, or can be, “a work of art,” perhaps because we are now mentally outside of it in our global marketplace and Internet-enveloped world. If we are to grapple effectively with the artistic challenge before us, then we must understand city and suburb together and how they interact as a whole.

What I seek to do in this chapter is to understand the dynamic between our more traditional urban forms and the newer suburbs, and how this in turn relates to the dynamic of the metropolitan area as a whole. To understand city and suburb–and I use these words more in an iconic sense than a literal one, for I believe the true cities today in a practical sense are entire metropolitan areas–we need to understand how city and suburb have been viewed in history and what goals they have represented. When twelfth-century Italian princes built great urban piazzas, and when nineteenth-century park designers built great suburban subdivisions, what were they striving for? What heaven were they reaching for, and how far did it exceed their grasp?

The Austin Chronicle Reviews Alex Marshall

May 4, 2001:
by Penny Van Horn 

BOOK REVIEW: How Cities Work Suburbs, Sprawl, and the Roads Not Taken
by Alex Marshall
University of Texas Press, 216 pp., $50; $24.95 (paper)

Does this ring a bell? “The standard choice today of lacing a metropolitan area with big freeways for purely internal travel means we will have a sprawling, formless environment.” Uh-huh.

Now more than ever, Austin could use accessible writing that addresses the challenges of urban sprawl. Journalist Alex Marshall (Salon.com, The Washington Post, among others) offers a clear-headed approach to the urban issues that so deeply affect Austin and other overgrown cities in his jargon-free new book How Cities Work: Suburbs, Sprawl, and the Roads Not Taken. He cuts right to the chase by spelling out the basic interaction of the three great controlling forces of urban growth — transportation, economics, and politics. The topics are overwhelming, but Marshall makes them understandable in the context of four case studies that form the backbone of the book.

First up is Celebration, the Disney-controlled development in Florida that is a paragon of New Urbanist design. New Urbanism claims to appropriate the best features of old-fashioned city centers such as those of Savannah, Ga., and Annapolis, Md., while also providing the amenities demanded by car-dependent suburban residents. Celebration sports limited street widths, houses built with porches close to the sidewalk, and a shopping street in its center. But the whole project was bankrolled by Disney, the shopping street is full of tony boutiques that rely on tourist traffic, and the faux-antique houses in Celebration cost three times as much as comparable ones in the neighboring — real — town of Kissimmee. Marshall convincingly portrays Celebration for what it is, one more suburban development dependent on yet another highway off-ramp. Far from offering solutions to sprawl, New Urbanism compounds it. Marshall writes: “The New Urban design philosophy is akin to dressing up a car to look like a horse-drawn carriage, and then saying you have brought back the intimacy and community of carriage life.”

Marshall is similarly critical of the endless suburbia that makes up the Silicon Valley of California. He outlines the history of the valley as it made the transition from fruit farming to microchip production, and probingly questions the logic that has allowed sprawl to take over prime agricultural land that in many places has prime topsoil 40 feet thick … sitting under freeways and strip malls.

Jackson Heights in Queens offers a contrast: a vibrant community that for generations has offered immigrants and their children a place to live and trade — without needing a car. Throughout these case studies and intervening thematic chapters, Marshall analyzes how Americans’ obsession with the car inherently prevents many of the improvements we say we would like made in the fabric of our cities.

Marshall’s most absorbing case study is of Portland, Ore. While he lauds Portland’s success in establishing a strict growth boundary, he also points out that the city benefited from doing so during the early Seventies, when environmental sentiment was cresting and when the region was even more culturally homogenous than it is now. Portland’s growth boundary, along with a ban on construction of downtown parking facilities, has supplied a form of creative pressure that has forced successive waves of real-estate development back into the heart of Portland rather than out into the countryside that surrounds it. This has meant higher density in the city’s core, which makes viable Portland’s showcase mass-transit system and downtown retail center.

Can something like this happen for Austin? Marshall’s analysis shows that any sort of worthwhile urban planning requires the sort of hard choices Austin has seemed incapable of making. “People are living differently in Portland because of the policies they have chosen,” he writes. “Actual shaping of cities requires making choices. More of this, less of that. Some people lose, some people win.” He also argues that government “is the only actor with the size and scope to make foundational changes” in the way our cities grow, and thus encourages a sort of government activism atypical in Texas: “[Portland’s planning policies] are no more activist than building freeways for more malls and subdivisions; they are just activist in a different way.”

If this new sort of activism ever will come to pass for Austin, it seems to be a long way off. But maybe books like this one can get the ball rolling.